One of the most significant Central American artists to be recognized in the contemporary international scene in recent years, Guatemalan sculptor Dario Escobar has captivated audiences with his provocative work, as intense in its format and conceptual inquiry as it is irreverent in its novelty and humor. In A Singular Plurality, essays by important international scholars, critics, and curators provide a critical account of how Escobar’s irresistibly whimsical incisiveness effectively dismantled the hardened opposition between the cosmopolitan and the local, thus setting the stage for our present global cartography.